ABC Stage 67

1966

ABC Stage 67

7.4 | en | Drama

ABC Stage 67 is the umbrella title for a series of 26 weekly shows that included dramas, variety shows, documentaries, and original musicals. It premiered on American Broadcasting Company on September 14, 1966 with Murray Schisgal's The Love Song of Barney Kempinksi, directed by Stanley Prager and starring Alan Arkin as a man enjoying the sights and sounds of New York City in his last remaining hours of bachelorhood. Arkin was nominated for an Emmy Award for Outstanding Single Performance By An Actor in a Leading Role in a Drama and the program was nominated as Outstanding Dramatic Program. Future programs included appearances by Petula Clark, Bobby Darin, Sir Laurence Olivier, Albert Finney, Peter Sellers, David Frost, and Jack Paar. ABC's effort to bring culture to the masses was a noble but unsuccessful experiment. Scheduled first against I Spy on Wednesdays and then The Dean Martin Show on Thursdays, the show consistently received low ratings. Its last production, an adaptation of Jean Cocteau's one-woman play The Human Voice starring Ingrid Bergman, aired on May 4, 1967. "Stage 67" was not actually a part of the primary ABC facilities in Los Angeles. It was produced at the old Monogram Studios backlot that was later sold to KCET.

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Seasons & Episodes

1
EP24  A Time For Laughter: A Look at Negro Humor in America
Apr. 06,1967
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Singer-actor Harry Belafonte produced this showcase of Negro humor, satire and self-parody. Sketches: A suburban couple (Godfrey Cambridge & Diana Sands) irritate their maid (Moms Mabley) by pretending to be white; in jail, a civil rights marcher (Dick Gregory) discusses Black Power; The clergyman doesn't show up for a funeral, leaving the nervous undertaker (Richard Pryor) to deliver the eulogy; In a barbershop routine, George Kirby plays seven parts, including Augustus X and Senator Irksen; A pool hustler (Redd Foxx) talks about poverty and civil rights; A judge (Pigmeat Markham) questions a quarreling couple (Harry Belafonte & Diahann Carroll). Songs included: Dogs - Harry Belafonte / Good Lovin' - Diahann Carroll / Jim Crow - Charles Moore & Bill Reilly.

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Singer-actor Harry Belafonte produced this showcase of Negro humor, satire and self-parody. Sketches: A suburban couple (Godfrey Cambridge & Diana Sands) irritate their maid (Moms Mabley) by pretending to be white; in jail, a civil rights marcher (Dick Gregory) discusses Black Power; The clergyman doesn't show up for a funeral, leaving the nervous undertaker (Richard Pryor) to deliver the eulogy; In a barbershop routine, George Kirby plays seven parts, including Augustus X and Senator Irksen; A pool hustler (Redd Foxx) talks about poverty and civil rights; A judge (Pigmeat Markham) questions a quarreling couple (Harry Belafonte & Diahann Carroll). Songs included: Dogs - Harry Belafonte / Good Lovin' - Diahann Carroll / Jim Crow - Charles Moore & Bill Reilly.

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EP22  The American Boy
Mar. 09,1967
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Three short films which tell stories about three completely different adolescent boys: one living in the city; one in the country; and one in the suburbs. 1-Skaterdater (with Michael Mell, Melissa Mallory) Some photography by Carroll Ballard. Music by Mike Curb & Nick Venet. A boy's emergence into adolescence is given a gentle treatment in this multiple award winning film. To joyous music the camera follows a young boy's adventures on his skateboard as he and the other members of his gang expertly maneuver along tree-shaded sidewalks and steep suburban streets. When he becomes interested in a girl, and loses leadership of the group in a test of skateboarding skills, he realizes that he is leaving his childhood for a new phase in his life. 2-The River Boy (with Philip Lombas, Chrissy Lapeyre). 3-Reflections (with Carl Chu, Diane Cecilio).

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Three short films which tell stories about three completely different adolescent boys: one living in the city; one in the country; and one in the suburbs. 1-Skaterdater (with Michael Mell, Melissa Mallory) Some photography by Carroll Ballard. Music by Mike Curb & Nick Venet. A boy's emergence into adolescence is given a gentle treatment in this multiple award winning film. To joyous music the camera follows a young boy's adventures on his skateboard as he and the other members of his gang expertly maneuver along tree-shaded sidewalks and steep suburban streets. When he becomes interested in a girl, and loses leadership of the group in a test of skateboarding skills, he realizes that he is leaving his childhood for a new phase in his life. 2-The River Boy (with Philip Lombas, Chrissy Lapeyre). 3-Reflections (with Carl Chu, Diane Cecilio).

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EP21  Rodgers and Hart Today
Mar. 02,1967
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Salute to the songs of Richard Rodgers and Lorenz Hart. All music program with no spoken dialogue. Songs include: I Could Write A Book / The Lady Is A Tramp / Little Girl Blue / I Wish I Were In Love Again - Bobby Darin, Falling in Love With Love - Bobby Darin and The Supremes, Lover / With a Song in My Heart / My Romance / Blue Moon / Manhattan - The Supremes, Where or When / Thou Swell / Spring is Here / On Your Toes - Petula Clark, Any Old Place with You - Darin and Clark, My Heart Stood Still / Glad to Be Unhappy / Here in My Arms / Sing for Your Supper - The Mamas and the Papas, Slaughter on Tenth Avenue - The Doodletown Pipers with Count Basie and His Orchestra, Dancing on the Ceiling / Give It Back to the Indians - Peter Gennaro, Johnny One Note -Peter Gennaro with Count Basie and His Orchestra, Wait till You See Her - The Doodletown Pipers, Mountain Greenery - Cast. Quincy Jones was the musical director.

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Salute to the songs of Richard Rodgers and Lorenz Hart. All music program with no spoken dialogue. Songs include: I Could Write A Book / The Lady Is A Tramp / Little Girl Blue / I Wish I Were In Love Again - Bobby Darin, Falling in Love With Love - Bobby Darin and The Supremes, Lover / With a Song in My Heart / My Romance / Blue Moon / Manhattan - The Supremes, Where or When / Thou Swell / Spring is Here / On Your Toes - Petula Clark, Any Old Place with You - Darin and Clark, My Heart Stood Still / Glad to Be Unhappy / Here in My Arms / Sing for Your Supper - The Mamas and the Papas, Slaughter on Tenth Avenue - The Doodletown Pipers with Count Basie and His Orchestra, Dancing on the Ceiling / Give It Back to the Indians - Peter Gennaro, Johnny One Note -Peter Gennaro with Count Basie and His Orchestra, Wait till You See Her - The Doodletown Pipers, Mountain Greenery - Cast. Quincy Jones was the musical director.

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EP19  The Light Fantastic
Feb. 09,1967
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Lauren Bacall and John Forsythe star in this lighthearted look at dancing in the United States. The show is subtitled ""How to Tell Your Past, Present, and Maybe Even Your Future Through Social Dancing,"" and the idea is that the lives we live are reflected on the dance floor. John, who appears as a social commentator, tries to prove that the depression produced the Big Apple; that the Cha-Cha, Bossa Nova and Conga are the result of pleasant Latin-American relations; and that the gradual decline of segregation can be traced through the Cake Walk, Castle Walk and Lindy. Lauren portrays an interested observer, mostly interested in John, but she soon decides to prove a point of her own, that even the Minuet, Black Bottom, Hully Gully and Twist are clues to the emancipation of women.

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Lauren Bacall and John Forsythe star in this lighthearted look at dancing in the United States. The show is subtitled ""How to Tell Your Past, Present, and Maybe Even Your Future Through Social Dancing,"" and the idea is that the lives we live are reflected on the dance floor. John, who appears as a social commentator, tries to prove that the depression produced the Big Apple; that the Cha-Cha, Bossa Nova and Conga are the result of pleasant Latin-American relations; and that the gradual decline of segregation can be traced through the Cake Walk, Castle Walk and Lindy. Lauren portrays an interested observer, mostly interested in John, but she soon decides to prove a point of her own, that even the Minuet, Black Bottom, Hully Gully and Twist are clues to the emancipation of women.

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EP18  David Frost's Night Out in London
Feb. 02,1967
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In foggy, swinging London, satirist David Frost introduces viewers to the late-life of the most 'in' town in the world. Heading where the action is, David goes to the posh West End, noted for its theaters, smart shops and fine restaurants; and the shady, Bohemian quarter called Soho. London is steeped in history, but on this tour, places are less important than faces: Sir Laurence Olivier, on stage to do his song-and-dance routine from John Osborne's The Entertainer; Albert Finney, who performs a scene from Osborne's Broadway hit, Luther; female impersonator Danny La Rue; and cabaret singer Libby Morris, who offers Just One of Those Things. In two comedy sketches, Peter Sellers portrays a snobbish wine taster and a bombastic BBC announcer interviewing a deep-sea diver (played by Kenneth Connor of the Carry On films).

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In foggy, swinging London, satirist David Frost introduces viewers to the late-life of the most 'in' town in the world. Heading where the action is, David goes to the posh West End, noted for its theaters, smart shops and fine restaurants; and the shady, Bohemian quarter called Soho. London is steeped in history, but on this tour, places are less important than faces: Sir Laurence Olivier, on stage to do his song-and-dance routine from John Osborne's The Entertainer; Albert Finney, who performs a scene from Osborne's Broadway hit, Luther; female impersonator Danny La Rue; and cabaret singer Libby Morris, who offers Just One of Those Things. In two comedy sketches, Peter Sellers portrays a snobbish wine taster and a bombastic BBC announcer interviewing a deep-sea diver (played by Kenneth Connor of the Carry On films).

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EP15  The Trap of Solid Gold
Jan. 04,1967
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Ben Weldon is an ambitious businessman on the fast track to success. The company he works for expects him to live the upper class suburban lifestyle on a middle management salary in order to prove himself worthy of advancement. With two kids, a new house, club dues, etc. Ben and his wife Ginny find themselves stretched to the breaking point financially. Ben's coworker Hal Crady suggests he settle for a regional management position, as he hopes to do. Ben dismisses this as ""a dull routine job"" and keeps playing the game since he knows the boss has a promotion for him lined up. Hal suggests he sees a ""crack C.P.A."", J. J. Semmons, who tells him he needs to either get a raise or quit the game. At work he is eager to head a new test computer operation by commuting to Chicago while his finances get shakier. Finally he asks his boss, Mr. Mallory for a raise. After expressing disappointment in Ben, Mallory at first tells him to manage with his ""income bracket."" Ben refuses to be brush

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Ben Weldon is an ambitious businessman on the fast track to success. The company he works for expects him to live the upper class suburban lifestyle on a middle management salary in order to prove himself worthy of advancement. With two kids, a new house, club dues, etc. Ben and his wife Ginny find themselves stretched to the breaking point financially. Ben's coworker Hal Crady suggests he settle for a regional management position, as he hopes to do. Ben dismisses this as ""a dull routine job"" and keeps playing the game since he knows the boss has a promotion for him lined up. Hal suggests he sees a ""crack C.P.A."", J. J. Semmons, who tells him he needs to either get a raise or quit the game. At work he is eager to head a new test computer operation by commuting to Chicago while his finances get shakier. Finally he asks his boss, Mr. Mallory for a raise. After expressing disappointment in Ben, Mallory at first tells him to manage with his ""income bracket."" Ben refuses to be brush

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EP9  Evening Primrose
Nov. 16,1966
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This original musical, with songs by Stephen Sondheim, is a story about a poet, Charles Snell, who decides to drop out of society and live, secretly, in a department store. To his surprise he finds a group of people already doing just that. The catch is that once inside you must stay forever. Errant group members disappear only to reappear later as store mannequins. He meets a young lady, Ella Harkins, and the two fall in love and prepare to leave. The show ends with a shot of a new bride and groom mannequin in a store window. Songs included: (If You Can Find Me) I'm Here - Tony Perkins / I Remember - Charmian Carr / When - Perkins and Carr / Take Me to the World - Carr and Perkins. Music arranged and conducted by Norman Paris, assisted by David Shire.

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This original musical, with songs by Stephen Sondheim, is a story about a poet, Charles Snell, who decides to drop out of society and live, secretly, in a department store. To his surprise he finds a group of people already doing just that. The catch is that once inside you must stay forever. Errant group members disappear only to reappear later as store mannequins. He meets a young lady, Ella Harkins, and the two fall in love and prepare to leave. The show ends with a shot of a new bride and groom mannequin in a store window. Songs included: (If You Can Find Me) I'm Here - Tony Perkins / I Remember - Charmian Carr / When - Perkins and Carr / Take Me to the World - Carr and Perkins. Music arranged and conducted by Norman Paris, assisted by David Shire.

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EP8  The People Trap
Nov. 09,1966
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Story was about a young couple living in one of those overpopulated futures where you have to have a special permit to have a child. They get a little careless, and the wife gets pregnant. If you don't have the permit, your child will be put in cold storage at birth. Later, if you can get a permit, the government will unfreeze the baby and give it back to you. They have a neighbor who has one of those kids, but he's never been quite right in the head since he was thawed out. The couple's only hope is for the husband to win a foot race whose first prize is an acre of land and a baby permit. All the other competitors have agreed that if they win, they'll sell the land to a Big Corporation. The husband won't sell, so the Big Corporation does various underhanded things to keep him from winning. He has to climb over a building to avoid them and win the race. At the end of the movie, the couple and their kid are frolicking on their land while a solid mass of people watches them through a cha

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Story was about a young couple living in one of those overpopulated futures where you have to have a special permit to have a child. They get a little careless, and the wife gets pregnant. If you don't have the permit, your child will be put in cold storage at birth. Later, if you can get a permit, the government will unfreeze the baby and give it back to you. They have a neighbor who has one of those kids, but he's never been quite right in the head since he was thawed out. The couple's only hope is for the husband to win a foot race whose first prize is an acre of land and a baby permit. All the other competitors have agreed that if they win, they'll sell the land to a Big Corporation. The husband won't sell, so the Big Corporation does various underhanded things to keep him from winning. He has to climb over a building to avoid them and win the race. At the end of the movie, the couple and their kid are frolicking on their land while a solid mass of people watches them through a cha

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EP4  The Kennedy Wit
Oct. 05,1966
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President Kennedy's speeches were filled with ringing rhetoric-and also with wit and humor that was eloquent and subtle. He had the gift of what comedians call ""good timing,"" and could deliver repartee with rapierlike precision. Films, stills and recordings recall famous and less well known lines from JFK's campaign speeches and calamities; news conferences (such as his celebrated exchanges with newswoman May Craig); addresses to statesmen and Nobel Prize winners; informal moments with his wife and family; and occasional problems with foreign languages. There's also an interview with David Powers, one of the late President's administrative assistants and a member of the famous ""Irish Mafia."" A close friend since 1946, Powers discusses Kennedy's tour of Ireland and his own duties during the campaign.

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President Kennedy's speeches were filled with ringing rhetoric-and also with wit and humor that was eloquent and subtle. He had the gift of what comedians call ""good timing,"" and could deliver repartee with rapierlike precision. Films, stills and recordings recall famous and less well known lines from JFK's campaign speeches and calamities; news conferences (such as his celebrated exchanges with newswoman May Craig); addresses to statesmen and Nobel Prize winners; informal moments with his wife and family; and occasional problems with foreign languages. There's also an interview with David Powers, one of the late President's administrative assistants and a member of the famous ""Irish Mafia."" A close friend since 1946, Powers discusses Kennedy's tour of Ireland and his own duties during the campaign.

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7.4 | en | Drama , Documentary
Synopsis

ABC Stage 67 is the umbrella title for a series of 26 weekly shows that included dramas, variety shows, documentaries, and original musicals. It premiered on American Broadcasting Company on September 14, 1966 with Murray Schisgal's The Love Song of Barney Kempinksi, directed by Stanley Prager and starring Alan Arkin as a man enjoying the sights and sounds of New York City in his last remaining hours of bachelorhood. Arkin was nominated for an Emmy Award for Outstanding Single Performance By An Actor in a Leading Role in a Drama and the program was nominated as Outstanding Dramatic Program. Future programs included appearances by Petula Clark, Bobby Darin, Sir Laurence Olivier, Albert Finney, Peter Sellers, David Frost, and Jack Paar. ABC's effort to bring culture to the masses was a noble but unsuccessful experiment. Scheduled first against I Spy on Wednesdays and then The Dean Martin Show on Thursdays, the show consistently received low ratings. Its last production, an adaptation of Jean Cocteau's one-woman play The Human Voice starring Ingrid Bergman, aired on May 4, 1967. "Stage 67" was not actually a part of the primary ABC facilities in Los Angeles. It was produced at the old Monogram Studios backlot that was later sold to KCET.

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Cast

Director

Marc Merson

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